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Subodhālaṅkāra
Poetics Made Plain
GRAMMATICAL TRADITION · volume 11 of 13
The Subodhālaṅkāra, Saṅgharakkhita's work on poetics — the art of poetry under five heads: faults in composition, how to avoid them, verbal ornamentation, rhetorical figures, and elegance of sound. 370 verses; this volume's last chapter is Rasabhāvāvabodho nāma pañcamo paricchedo.
In the second half of the 1100s CE the elder Saṅgharakkhita, writing in Ceylon, produced a series of works on grammar, prosody and rhetoric. He calls himself a pupil of Moggallāna, whom he names Sīlathera — which ties this group of books directly to the second grammatical school.
His stated reason for writing is the same as for his metrics: the earlier works, by Rāmasamma and others, are not suitable for Māgadhī — that is, for Pali. The models are nonetheless Sanskrit, and the technical vocabulary is borrowed and adapted from them. The Pali catalogue gives the work to him without qualification.
How it ends
Rasabhāvā’vabodho nāma
Pañcamo paricchedo.
Subodhālaṅkāro samatto.
SourcesNorman 1983, pp. 167–168; Cūḷagandhavaṃsa.
- Layer
- Treatise — treatise
- Collection
- GRAMMATICAL TRADITION · volume 11 of 13
- On
- Poetics Made Plain
- Written by
- SaṅgharakkhitaNorman 1983, p. 167; Gandhavaṃsa, in Minayeff 1886, p. 63
- When
- 1150–1200 CENorman 1983, p. 167
- Pali text
- Chaṭṭha Saṅgāyana (CST4)
- English
- Complete in draft, not yet reviewed · 1,320 paragraphs over 33 pages
- 1. The First Chapter: the Understanding of Faults1. Dosāvabodha-paṭhamapariccheda
- Homage to the Three JewelsRatanattayappaṇāma
- The OccasionNimitta
- The Title and the RestAbhidhānādikaṃ
- Enumeration of the Faults of WordPadadosa uddesa
- Enumeration of the Faults of SentenceVākyadosa uddesa
- Enumeration of the Faults of Sentence-senseVākyatthadosauddesa
- Exposition of the Faults of WordPadadosaniddesa
- Exposition of the Faults of SentenceVākyadosa niddesa
- Exposition of the Faults of Sentence-senseVākyatthadosa niddesa
- 2. The Second Chapter: the Understanding of the Avoidance of Faults2. Dosaparihārāvabodha-dutiyapariccheda
- 3. The Third Chapter: the Understanding of the Qualities3. Guṇāvabodha-tatiyapariccheda
- The ConnectionAnusandhi
- Enumeration of the Ornaments of WordSaddālaṅkāra uddesa
- The Purpose of the Ornaments of WordSaddālaṅkāra payojana
- Exposition of the Ornaments of WordSaddālaṅkāra niddesa
- Evenness by Wholly Soft LettersKevalamudusamatā
- Evenness by Wholly Distinct LettersKevalaphuṭasamatā
- Evenness by Mixed LettersMissakasamatā
- The Enumeration of the ConcentrationsSamādhi uddesa
- The Exposition of the ConcentrationsSamādhiniddesa
- The Property of Breathing Things in What Does Not BreatheApāṇe pāṇīnaṃ dhammo
- The Property of What Has Form in the FormlessNirupe rūpayuttassa
- The Property of What Has Taste in the TastelessNirase sarasassa
- The Property of What Is Fluid in the UnfluidAdrave dravayuttassa
- Agency in a Non-agentAkattaripi kattutā
- The Property of the Hard in the BodilessKaṭhinassā sarīre
- 4. The Fourth Chapter: the Understanding of the Ornaments of Sense4. Atthālaṅkārāvabodha-catutthapariccheda
- The Ornaments of Sense of the Oblique ModeVaṅkavutti atthālaṅkāra
- EnumerationUddesa
- ExpositionNiddesa
- Joined with ivaIvayuttā
- Disjoined from ivaIvaviyuttā
- With the Whole Subject for Sphere, with CompoundAsesavatthuvisayasamāsa
- With the Whole Subject for Sphere, without CompoundAsesavatthuvisayaasamāsa
- With the Whole Subject for Sphere, mixedAsesavatthuvisayamissaka
- Turning upon a Single Part, with CompoundEkadesavivuttisamāsa
- Turning upon a Single Part, without CompoundEkadesavivuttiasamāsa
- Turning upon a Single Part, mixedEkadesavivuttimissaka
- Repetition of SenseAtthāvutti
- Repetition of WordPadāvutti
- Repetition of BothUbhayāvutti
- The Illuminator of the BeginningĀdi dīpaka
- The Illuminator in the MiddleMajjhe dīpaka
- The Illuminator at the EndAntadīpaka
- The Garland IlluminatorMālādīpaka
- All-pervading, without hiHi rahita sabbabyāpī
- All-pervading, with hiHi sahita sabbabyāpī
- Particular, without hiHi rahita visesaṭṭha
- Particular, with hiHi sahita visesaṭṭha
- Single Contrast, ExpressedVāccaekabyatireka
- Double Contrast, ExpressedVācca ubhayabyatireka
- Single Contrast, ImpliedGamma ekabyatireka
- Double Contrast, ImpliedGammaubhayabyatireka
- The Peculiar Causation that Manifests Another CauseKāraṇantaravibhāvanā
- The Peculiar Causation that Manifests the NaturalSābhāvika vibhāvanā
- With an Undifferentiated QualifierAbhinnavisesana
- With Differentiated and Undifferentiated QualifiersBhinnābhinnavisesana
- Supposition containing a SimileUpamābbhantaraparikappanā
- Supposition of ActionKriyāparikappanā
- Supposition of QualityGuṇaparikappanā
- Implied SuppositionGammaparikappanā
- The Pun with Contrary ActionViruddhakammasilesa
- The Pun with Non-contrary ActionAviruddhakammasilesa
- The Pun with Undivided ActionAbhinnakammasilesa
- The Pun with RestrictionNiyamavantasilesa
- The Pun that Rejects RestrictionNiyamakkhepasilesa
- The Non-conflicting PunAvirodhisilesa
- The Conflicting PunVirodhisilesa
- The Word-Pun that Fosters FitnessOcityasamposakapadasilesa
- The Illustration with an Unwished FruitAsantaphalanidassana
- The Illustration with a Wished FruitSantaphalanidassana
- The Magnifying of MajestyVibhūtimahantatta
- The Magnifying of IntentionAdhippāyamahantatta
- The Unequal DeceivingAsamavañcanā
- The Equal DeceivingSamavañcanā
- The Affirmative NecklaceVidhiekāvali
- The Negative NecklaceNisedhaekāvali
- Co-occurrence of ActionKriyāsahavutti
- Co-occurrence of QualityGuṇasahavutti
- The Mixed by Member and Member-possessorAṅgaṅgībhāvamissa
- The Mixed by Equal StrengthSadisa bala bhāva missa
- 5. The Fifth Chapter: the Understanding of the Emotions5. Bhāvāvabodha-pañcamapariccheda
- The Purport of “Emotion”Bhāvaadhippāya
- The Purport of “Abiding State”Ṭhāyībhāvaadhippāya
- The Enumeration of the Kinds of Abiding StateṬhāyībhāvappabhedauddesa
- The Purport of “Transient State”Byabhicārībhāvaadhippāya
- The Kinds of Transient StateByabhicāribhāvapabheda
- The Purport of “Sattvic State”Sattikabhāvaadhippāya
- The Kinds of Sattvic StateSattikabhāvappabheda
- The Purport of “Sentiment”Rasaadhippāya
- The Kinds of SentimentRasappabheda
- The Exposition of the Abiding States: the Abiding State of DelightṬhāyībhāva niddesa ratiṭṭhāyībhāva
- The Abiding State of MirthHassaṭṭhāyībhāva
- The Kinds of MirthHassappabheda
- The Abiding State of CompassionKaruṇaṭṭhāyībhāva
- The Abiding State of FuryRuddaṭṭhāyībhāva
- The Abiding State of the HeroicVīraṭṭhāyībhāva
- The Abiding State of FearBhayaṭṭhāyībhāva
- The Abiding State of DisgustJigucchāṭṭhāyībhāva
- The Abiding State of AstonishmentVimhayaṭṭhāyībhāva
- The Abiding State of CalmSamaṭṭhāyībhāva